tag:blogger.com,1999:blog-58225728355723286082024-02-20T07:12:24.826+05:30Carnatic Music RepositoryA Great destination for online Flute classes , vast collection of rare Music books in English , Telugu , Kannada , Tamil and Devanagari and Audio Recordings.Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.comBlogger61125tag:blogger.com,1999:blog-5822572835572328608.post-56126813519927390782022-12-02T23:18:00.001+05:302022-12-02T23:22:48.088+05:30Marulu maadi kondeyelle Maaya deviye Purandaradasa composition Flute recital by Arun S<p class="comment-footer">
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font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">చేరువనే చూడరె లక్ష్మీనారసింహుడు</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">ఇందిరను తొడమీద నిడుకొని కొలువిచ్చీ </span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">అందపు నవ్వులు చల్లీనల్ల వాడె</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">చెందిన మాణికముల శేషుని పడెగె </span><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">మీద</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">చెంది వరాలిచ్చీ లక్ష్మీనారసింహుడు</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">బంగారు మేడలోన పచ్చల గద్దియల మీద </span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">అంగనల ఆట చూచి నల్ల వాడె</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">రంగగు సొమ్ముల తోడ రాజసపు విభవాల </span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">చెంగట నున్నాడు లక్ష్మీ నారసింహుడు</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">పెండెపు పాదము చాచి పెనచి ఒక పాదము </span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">అండనే పూజ గొనీ నల్లవాడె</span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">కొండల శ్రీవేంకటాద్రి కోరి అహోబలమున </span><br style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;" /><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;">మెండుగాను మెరసీ లక్ష్మీనారసింహుడు</span></div><div><span style="-webkit-text-size-adjust: auto; caret-color: rgb(51, 51, 255); color: #3333ff; font-family: "courier new"; font-size: 15.600000381469727px; text-align: left;"><br /></span></div><p class="comment-footer">
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<span style="font-size: 130%; line-height: 30px;">सूर्य मूर्ते - रागं सौराष्ट्रम् - ताळं ध्रुवम् <br /><br />पल्लवि<br />सूर्य मूर्ते नमोऽस्तु ते <br /> सुन्दर छायाधिपते <br /><br />अनुपल्लवि<br />कार्य कारणात्मक जगत्प्रकाश -<br />सिंह राश्यधिपते <br />आर्य विनुत तेजःस्फूर्ते <br />आरोग्यादि फलद कीर्ते<br /><br />चरणम्<br />सारस मित्र मित्र भानो <br />सहस्र किरण कर्ण सूनो<br />क्रूर पाप हर कृशानो <br />गुरु गुह मोदित स्वभानो <br />सूरि जनेडित सु-दिनमणे <br />सोमादि ग्रह शिखामणे<br />धीरार्चित कर्म साक्षिणे <br />दिव्य-तर सप्ताश्व रथिने<br /> सौराष्टार्ण मन्त्रात्मने <br />सौवर्ण स्वरूपात्मने<br />भारतीश हरि हरात्मने <br />भुक्ति मुक्ति वितरणात्मने</span><br />
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<br /><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: 130%;">pallavi<br />sUrya mUrtE namO-astu tE <br />sundara chAyA-adhipatE<br /><br />anupallavi<br />kArya kAraNa-Atmaka jagat-prakASa -<br />siMha rASi-adhipatE<br />Arya vinuta tEjaH-sphUrtE<br />ArOgya-Adi phalada kIrtE<br /><br />caraNam: </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: 130%;"><br />sArasa mitra mitra bhAnO <br />sahasra kiraNa karNa sUnO<br />krUra pApa hara kRSAnO <br />guru guha mOdita svabhAnO<br />sUri jana-IDita su-dina-maNE <br />sOma-Adi graha SikhA-maNE<br />dhIra-arcita karma sAkshiNE <br />divya-tara sapta-aSva rathinE<br />saura-ashTa-arNa mantra-AtmanE <br />sauvarNa svarUpa-AtmanE<br />bhAratI-ISa hari hara-AtmanE <br />bhukti mukti vitaraNa-AtmanE</span></span><br />
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<span style="font-size: 130%;">Meaning:</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Salutations Oh Lord in the form of Surya, the Lord of the beautiful Chaya<br /><br />Oh
illuminator of all infinite causes and effects in the world, the Lord
of Simha rasi. One whose effulgent lustre has been praised by those of
highest esteem, the bestower of benefits such as good health.<br /><br />Friend
to the day-lotus, a friend to all, the most resplendent one, the
thousand-rayed, the father of Karna, the fire swallowing dreadful sins,
whose brilliance has delighted Guruguha, one who is praised by the
learned, the auspicious day-jewel, crest-jewel to Chandra and other
planets, worshipped by the energetic, the witness to all actions, one
who has the chariot drawn by the seven divine horses. One whose
principle nature is embedded in the eight-syllabled hymn of praise, who
is of golden hue, of the nature of Brahma, Vishnu and Shiva, and who
confers material benefits and spiritual emancipation</span></span>.<br />
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com1tag:blogger.com,1999:blog-5822572835572328608.post-72431226796901490322013-03-14T16:34:00.000+05:302013-03-14T17:06:09.085+05:30Sharanam Bhava Karunamayi- Flute recital by Arun<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b> Raaga: Arabhi Narayana Theertha Tarangam Adi taala</b></span></div>
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<span style="font-size: large;"></span><b><span style="font-size: large;">Sharanam Bhava Karunamayi</span> </b></div>
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<b><br />Pallavi<br /> </b></div>
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<b> sharaNam bhava karuNAm mayi kuru dInadayALO<br /> </b></div>
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<b> karuNA rasa varuNAlaya karirAja krupALO<br /><br />Anupallavi<br /><br />adhunA khalu vidhinA mayi sudhiyA sura bharitam </b></div>
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<b>madhusUdana madhusUdana hara mAmaka duritam<br /><br />Charana 1: </b></div>
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<b><br />vara nUpura sundara kara shObhita valaya <br />sura bhUsura bhayavAraka dharaNIdhara krpayA<br />tvarayA hara bharamIshvara suravaryamadIyam </b></div>
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<b>madhusUdana madhusUdana hA mAmaka duritam<br /><br />Charana 2 : <br /><br /> ghrNi maNDala maNI kuNDala phaNI maNDala shayana<br /> aNimAdi suguNa bhUSaNa maNI maNTapa sadana<br />vinatA suta ghana vAhana muni mAnasa bhavana <br />madhusUdana madhusUdana hara mAmaka duritam<br /><br />Charana 3 <br /><br />ari bhIkara hali sOdara paripUrNa sukhAbdhE <br />narakAntaka nara pAlaka paripAlita jaladhE<br />hari sEvaka shiva nAryaNa tIrtha paramAtman <br />madhusUdana madhusUdana hara mAmaka duritam</b></div>
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<span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Lyrics with Meaning</b></span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";"> </span><br />
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">In this tarangam Bhoodevi (Mother Earth) sings the praise of
lord Vishnu and prays to him to incarnate in the world to save it from the
attrocities of evil demons. </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">Slokam: <i><br />
SaraNa mupagatAham tvam SaraNyam janAnAm<br />
nikhila bhaya viyOgam yOgi chintyAm manantam<br />
sura ripugaNa bhAram dussaham durbharammE<br />
parihara paramAtman bhakti siddhaika moortE|| </i></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">Oh Lord
Sriman Narayana, you are the sole savior. You dispel our fears. Yogis meditate
upon you always. Several demons are causing unbearable attrocities on the
earth. Please relieve me of this unbearable burden and save the world. </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">P </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">SharaNam bhava karuNamayi kuru
deena dayALO karuNA rasa varuNalaya KarirAja krupALo || </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">Oh compassionate lord, I seek for
your shelter. You are the ocean of kindness and you showered mercy on the
elephant king who was in deep distress. The attrocities of the demons have
become intolerable. </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">adhunA khalu vidhina mayi sudhiya
surabharitam <br />
madhusoodana madhusoodana <br />
hara mAmaka duritam || </span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">You quelled the demon Madhu. Oh
Madhusoodana , dispel my accumulated sins. </span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">C 1</span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">varanoopura dhara sundara
karaSObhita valaya <br />
surabhoosura bhayavAraka dharaNee dhara krupayA <br />
twarayA hara bhara meeSvara <br />
suravarya madeeyam <br />
madhusoodana madhusoodana hara mAmaka duritam || </span></div>
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bells on your feet and bracelets on your wrists. You assuage the fears of the
learned brahmanas and devatas. You dispel all evil on the earth with
kindness. Oh Madhusudana , dispel my accumulated sins. </span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">ghruNi mandala maNi kundala phaNi
mandala Sayana <br />
aNi mAdi suguNa bhooshaNa maNi manTapa sadana <br />
vinatA suta ghana vAhana muni mAnasa bhavana <br />
madhusoodana madhusoodana hara mAmaka duritam || </span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
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shine briliantly and you recline on the Sesha serpent. You are embellished
with many virtues and you flourish both in micro and macro forms. The diamond
studded pavlion is your abode. Garuda bird is your great vehicle. You live in
the hearts of sages. Oh Lord Madhusoodana, dispel my accumulated sins. </span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">C 3</span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";">ari bheekara hali sodara
paripoorNa sukhAbdhE <br />
narakantaka narapAlaka paripAlita jaladhE <br />
harisEvaka Siva nArA yaNa teertha parAtman <br />
madhusoodana madhusoodana hara mAmaka duritam || </span></div>
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<td style="padding: .75pt .75pt .75pt .75pt;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in;">
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You are Balarama's brother. You are the ocean of absolute happiness. You
destroyed Naraka and protected all. You ruled the earth and the oceans,
Narayana teertha is the devoted servant of Sri Hari. Oh Madhusoodana, dispel
all my accumulated sins. </span></div>
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( Source: <a href="http://www.sangeetasudha.org/"> http://www.sangeetasudha.org</a>/) </div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-44857559348563916472013-03-13T17:30:00.002+05:302013-03-13T17:30:47.892+05:30Lalita raaga Alapana by Arun. S<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://www.youtube.com/watch?v=r4GYaOSwda8">Lalita raaga alapana </a></span></span></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-30601488383323905362013-03-13T14:00:00.002+05:302013-03-13T14:09:08.453+05:30Sri Ranganatham Upasmahe -Carnatic Flute recital<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Raaga Poorna Chandrika Sree Ranganatham Upasmahe Adi Taala</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Muttuswami Dikshitar Kruti</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Lyrics</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>पल्लवि</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>श्री रंगनाथम् उपास्महे नित्यम्</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>सीता वल्लभम् श्री शन्कर गुरुगुह वेद्यम्</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>समाष्टि चरण</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>नारदादि नुत श्यामल गात्रम्</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>नीरजारि मार्ताण्ड सुनेत्रम्</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>शीतकरम् शरचाप धरणम्</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>देवराज पूजिताब्ज चरणम् </b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Pallavi</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Sree Ranganatham upAsmahE nityam</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>sItA vallabham shrI shankara guruguha vEdyam</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>samaashTi caraNa</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>nAradAdi nuta shyAmala gAtram</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>neerajAri mArtANDa sunEtram</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>sheetakaram sharacApa dharaNam ( Sree ranganaatham ) </b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>dEvarAja pUjitAbja caraNam </b></span></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-36498679509471472242013-03-12T07:31:00.001+05:302013-03-12T07:32:06.367+05:30Shraddhanjali to Sangeeta Kalanidhi Padmabhushan Dr. Sri Pada Pinakapani<div dir="ltr" style="text-align: left;" trbidi="on">
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Legendary Carnatic vocalist Sangeeta Kalanidhi Dr Sri Pada Pinakapani passed away on 11th March 2013 at Kurnool. I offer my Sabhakti poorna pranams and Shraddanjali to the feet of Dr Pinakapani.<br />
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<b> Biography of Dr Sri Pada Pinakapani:</b></div>
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Dr. Sripada Pinakapani was born on August 3rd 1913 at Priyagraharam (village) in Srikakulam District of Andhra Pradesh. He was the last son of Sri Sripada Kameswara Rao and Smt Jogamma, He had his primary education in Rajahmundry and Kakinada. He graduated in M.B.B.S. (1939) and did his post graduation in M.D. General Medicine (1945) both from Andhra Medical College, Visakhapatnam. He served in Madras Medical College as Assistant Professor of Medicine and later in Andhra Pradesh Government in Andhra Medical College (Visakhapatnam)/ King George Hospital and at Kurnool Medical College/ Government General Hospital Kurnool between 1945 and 1968 and retired as Professor of Medicine, Superintendent GGH Kurnool on August 2nd on Superannuation from State Government Service at the age of 55.</div>
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His main hobby was Classical Carnatic Music. His Adi-Guru was (Late) Sri B.S. Lakshmanarao of Mysore, a fourth generation disciple of Saint Sri Tyagaraja Swamy. His Gurus in advanced music were ‘PADMASREE’ Dwaram Venkataswamy Naidu (late) and Sri Ranga Ramanuja Ayyangar(late) of Madras. He performed in All India Radio since October1938 until 2001and gave Public Concerts in all over in Andhra Pradesh, some places in Tamil nadu, Delhi, Bangalore and Bombay. </div>
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Following are some of the prominent awards conferred on Dr Sri Pada Pinakapani:</div>
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<li style="margin-bottom: 0.1em;">A.P. Sangeetha Nataka Academy Award in (1966),</li>
<li style="margin-bottom: 0.1em;">A.P. Sangeetha Academy Fellowship in (1982),</li>
<li style="margin-bottom: 0.1em;">T.T.D. Asthana Vidwan (1973),</li>
<li style="margin-bottom: 0.1em;">'Sapthgiri Sangeetha Vidwanmani' (TTD) (1974),</li>
<li style="margin-bottom: 0.1em;">Kala Prapoorna (Honorary Doctorate in Music, of Andhra University given by (Late)His Highness Sri Neelam Sanjeeva Reddy the then President of India,</li>
<li style="margin-bottom: 0.1em;">National Sangeetha Natak Akademy Award, Delhi (1977),</li>
<li style="margin-bottom: 0.1em;">'Sangeeta Kala Sikhamani' of Madras Fine Arts Society Society (1970),</li>
<li style="margin-bottom: 0.1em;">'Sangeetha Kalanidhi' of Madras Music Academy (1983),</li>
<li style="margin-bottom: 0.1em;">Padma Bhushan (Presidential Award, conferred by then President of India, His Highness Jyani Zail Singh) in 1984.</li>
<li style="margin-bottom: 0.1em;">He was one of the Five Memember Cultural Delegation of Government of India that toured China in 1984.</li>
<li style="margin-bottom: 0.1em;">'SAPNA' (Sri Annamacharya Project of North America) Life time achievement award in April 2004,</li>
<li style="margin-bottom: 0.1em;">'Kalasagara' of Hyderabad award for lifetime achievement in 2008.</li>
<li style="margin-bottom: 0.1em;">Tyaga Brahma Ganasabha of Chennai gave lifetime achievement award on 17th of February 2012 and</li>
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-first ever 'TELUGU VELUGU' Puruskar wais conferred on 30th of March 2012, by His Excellency Chief Minister of Andhra Pradesh as a tribute to Telugu speaking people who brought world wide glory, along with the greats like Sri Mangalampalli Balamurali Krishna (Classical Music), Dr. C.R. Rao (Mathematics), Gen K.V. Krishna Rao (Army), Sri C. Narayana Reddy (literature), Sri Vempati Satyam (kuchipudi dance), Sri Bapu (art), Sri Akkineni Nageswara Rao (film industry)</div>
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<li style="margin-bottom: 0.1em;">'Tagore Ratna' was given by National Sangeetha Natak Academy at the end of April 2012 in a quiet function at his residence at Kurnool.</li>
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<b>Dr Pinakapani, as a Great Guru and author :</b></div>
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His music pursuit and activities did continue to more than significant extent after this. He continued to train students who sought him. He put all the music he acquired through more than 5 decades of single minded effort, into a book, and this was published by Tirumala Tirupati Devasthanam of Tirupati in the four volume magnum opus the SANGEETHA SOWURABHAMU, containing more than 1000 kritis of various composers notated, which he reset into delectable Tanjavur bani (gharana) for which he strived throughout his entire life. This set of books happens to be the source of quality compositions for all aspiring musicians in India and abroad. And many more publications have come up subsequently. He realized that after him only the books continue to be the source of music and put all his energies for the posterity.</div>
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MANODHARMA SANGITAM is the book which gives insight into how to develop one’s own manodharma and this has been accepted as one of the books recommended by Telugu University of Hyderbad for music students.</div>
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PALLAVI GANA SUDHA, is a unique colletion of more than 160 PALLAVI’S of classic rendition notated and of them 25 have detailed work up. This book is published in both Telugu and English.</div>
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MELARAGAMALIKA, contains the description of the 72 melaragas and the actual Melaragamalika was originally composed by Sri Mahavaidya Natha Iyer. To this Dr Pinakapani added notes and brought out in a beautiful book with the Sanchari Swaras on the facing page of each component raga of the ragamalika. Thus it serves as guide to an aspirant musician of the 72 melakarthas. He composed the tune of 108 Annamacharya Kritis in Tanjavur Bani and dedicated them to Tirumala Tirupati Devasthanam.</div>
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He was awarded Gupta Foundation Award of Eluru in 1993, Lifetime Achievement Award by Nadabharathi of Hyderabad in 2001, Gadicherla Foundation Lifetime Achievement Award in 2003, Lifetime Achievement Award by SAPNA (Sri Annamacharya Project of North America) in 2004, Dr.Jandhyala Dakshina Murthy Foundation Lifetime achievement Award 2005, Kalasagara of Hyderabad in 2008.</div>
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He trained many in advanced Classical Carnatic music and the famous among them are Sri. Nookala China Satyanaryana, Sri Nedunuri Krishna Murthy, (Late) Sri Voleti Venkateswarlu, (Late) Kumari Srirangam Gopalaratnam, Smt Sistla Vasundhra Devi, Smt K. Subbalakshmi (daughter of Meduri Ramamurthy), Smt. Jayalakshmi Sekhar of Malaysia, (veena). Popular musicians like Sri Malladi Brothers are regular visitors to Dr. Pinakapani for guidance and elobaration of finer points in advanced music.</div>
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One notable fact is that his First music disciple Sri Nookala Chinna Satyanarayan himself had been awarded Padma Bhushan AWARD in 2010.</div>
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His only deterrent was his old age. He breathed music when he was not praying or asleep and used to sing and said music comes on its own without effort and he cannot help but keep singing. He continuously kept making changes to the nuances and fineness of expression of ragas and he was expressing his desire to make delectable music with short phrases and attributed this effort to his failing breath capacity.</div>
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(Source: wiki-pedia )</div>
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<b>Video and Audio Links:</b></div>
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<a href="https://www.youtube.com/watch?v=qWS_er3qiHs">Documentary on Life of Dr Sri Pada Pinakapani</a></div>
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Special Programme opn Life of Dr Pinakapani in telugu broad casted by HMTv- <a href="https://www.youtube.com/watch?v=mhxMfM3GA-c">Part 1</a> and<a href="https://www.youtube.com/watch?v=8OUj-Day10s"> Part 2 </a></div>
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Birth Centenary celebrations <a href="https://www.youtube.com/watch?v=keWaHtV0XqE">videos</a> of Dr Pinakapani @ Ravindra Bharathi, Hyderabad - <a href="https://www.youtube.com/watch?v=NcQiqGFHjXo">part 1</a> , <a href="https://www.youtube.com/watch?v=gPSlR5U_hPw">part 2</a> and <a href="https://www.youtube.com/watch?v=znSBZGPpNUc">part 3</a> </div>
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<a href="https://www.youtube.com/watch?v=A1ATf9V-kSU">Tyagaraja kruti Shambho Mahadeva in Pantu varali by Dr Pinakapani </a></div>
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Annamacharya Kirtana, <a href="https://www.youtube.com/watch?v=gNAfW504zVY">Intakante ika Ghana </a> and <a href="ttps://www.youtube.com/watch?v=nwgkTu29Lqw">Kshetrayya Padam </a> (tuned by Dr Pinakapani ) rendition by Malladi Suri babu , Malladi brothers Sri Rama Prasad & Ravi Kumar and during Janma Shatabdi celebrations of Dr Pinakapani </div>
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<b>Famous Annamacharya Kirtanas tuned by Dr Pinakapani</b>-</div>
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<a href="https://www.youtube.com/watch?v=QIOFfYJBFz0">Deva Devam Bhaje in hindola by M S Subbulakshmi </a></div>
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Vaade Venakatadri in Vasanta raaga by <a href="https://www.youtube.com/watch?v=RBayCNED6js">Dr Seshulata </a>and <a href="https://www.youtube.com/watch?v=STR8fglzcMo">Lahari </a></div>
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<a href="http://saranagathi.org/blogs/music/sri-annamacharya-kirtis-malladi-brothers/"><br /></a></div>
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<a href="http://mio.to/album/10-classical_carnatic_vocal/24392-Muvvagopala_Vol_1/#/album/10-Classical_Carnatic_Vocal/104-Krithis_Of_Annamacharya/">Annamacharya keertanas rendered by Malladi brothers </a></div>
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Kshetrayya Padams- <a href="http://mio.to/album/10-classical_carnatic_vocal/24392-Muvvagopala_Vol_1/#/album/10-classical_carnatic_vocal/24392-Muvvagopala_Vol_1/">part 1</a> , <a href="http://mio.to/album/10-classical_carnatic_vocal/24392-Muvvagopala_Vol_1/#/album/10-Classical_Carnatic_Vocal/24393-Muvvagopala_Vol_2/">part 2 </a>and <a href="http://mio.to/album/10-classical_carnatic_vocal/24392-Muvvagopala_Vol_1/#/album/10-Classical_Carnatic_Vocal/24394-Muvvagopala_Vol_3/">part 3</a> by Malladi brothers tuned by Sri Pada Pinakapani.</div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com2tag:blogger.com,1999:blog-5822572835572328608.post-70936297470105721592013-03-11T21:41:00.001+05:302013-03-11T21:52:16.294+05:30Swaminatha paripalayashumam - Flute recital<div dir="ltr" style="text-align: left;" trbidi="on">
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-14240235351600580892013-01-24T12:12:00.000+05:302013-03-18T22:49:39.595+05:30Papanasam Sivan Krutis - Carnatic Vocal by various artists<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="http://shivanisai.org/images/pssmall.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="http://shivanisai.org/images/pssmall.jpg" width="346" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><b>Papanasam Sivan</b></span></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<b>Papanasam Sivan</b> (September 26, 1890 - October 10, 1973) was a prominent composer of Carnatic music and a singer.A famous composer, Sivan was also known as Tamil Thyagayya. Using
Classical South Indian as a base, Sivan created numerous hits
popularised by M. K. Thyagaraja Bhagavathar and M. S.Subbulakshmi. <br />
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Papanasam Sivan's early years were spent in the Travancore
area of Kerala where the kings patronised fine arts. He was born at Polagam
Village in the district of Thanjavur, which was home to the illustrious musical
trinity of Carnatic music. His given name was Ramaiya. In 1897, when Ramaiya
was just 7, his father died. His mother Yogambal, along with her sons, left
Thanjavur and moved to Thiruvananthapuram in Kerala, where her brother-in-law
was a Ramayana Sastri in the renowned Padmanabha Swamy Temple. At Thiruvananthapuam,
Ramaiya learned Malayalam and Sanskrit and later earned a degree in grammar.</div>
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Ramaiya was very religious, and with death of his mother in
Yogambal when he was 20, became even more so. He wandered from place to place
visiting temples and singing devotional songs. Ramaiya used to be an active
participant in the devotional music sessions at the home of Neelakandasivan in
Thiruvananthapuram. Thus he learned many of the musical compositions of
Neelakandasivan. In this period, his wanderings would take him regularly to the
temple at Papanasam, where he would smear bhasma all over his body. Hence
people began to refer him as Papanasam Sivan, the name by which he was to
become well known later.</div>
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He picked up his first music lessons from Noorani Mahadeva Bhagavatar,
son of Parameswara Bhagavatar. Later he became the disciple of Konerirajapuram
Vaidyanath Iyer, a well-known musician, under whose tutelage Sivan blossomed
into a consummate artiste that he was.</div>
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In spite of his deep knowledge of music, Papanasam Sivan was
more interested in the devotional aspect of music. He preferred to sing
devotional songs and encouraged other singers take part in sessions of
devotional music with him. Papanasam Sivan was a regular in all the major
temple festivals in South India with his devotional songs.</div>
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Later in 1962 Papanasam Sivan received the President award.</div>
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<b>Family of Papanasam Sivan:</b></div>
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Ramaiya (Papanasam Sivan) has a daughter Dr. Rukmani Ramani
who is a leading Carnatic Musician in Chennai. Ashok Ramani who is his grandson
is also a successful Carnatic Musician. Another daughter by name Nila
Ramamurthy also composes Carnatic music. He had an elder brother Rajagopal Iyer
whose daughter V. N. Janaki was an actress and wife of former Chief Minister of
Tamil Nadu. Rajagopal Iyer also had a son P. Narayanan who was a great
educationist in Chennai.</div>
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Sri Papansam Kumjumani Bhagavathar, Sri Papanasam Ramani
Bhagavathar, Smt Radha Kalyanaraman(Vocalist), Sri Papanasam Kumar
(Mrudangist), Master Sankaranarayanan R (Mrudangist), Master Gokul Kumar (Violinist),
Kum. Sruthi Kumar (Vocalist and Veena player), Kum. Anita Sivaraman (Dancer)
are noted artists , Kumar Rajendran (Advocate) and Dr.Latha Rajendran (Special
Educator) who are grand/great-grandsons and grand/great-grand daughters of Sri
Rajagopala Iyer.</div>
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( Source: Wiki-pedia)</div>
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<b>Click here to read more </b></div>
<ol style="text-align: left;">
<li>About <a href="http://shivanisai.org/ps.html">Papanasam sivan </a> </li>
</ol>
2.<a href="http://en.wikipedia.org/wiki/Papanasam_Sivan#Compositions"> List of Compositions of Papanasam Sivan</a><br />
<br />
3.<a href="http://shivanisai.org/publications.html">Books on Papanasam sivan Compositions </a><br />
<span style="font-size: small;"> </span><br />
<span style="font-size: small;"> 4.<a href="http://www.karnatik.com/co1008.shtml"> Lyrics of Papanasam Sivan Krutis</a>. </span><br />
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<span style="font-size: large;"><b> Audio:</b></span></div>
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<br /></div>
<div class="MsoListParagraphCxSpFirst" style="margin-left: 0.75in; text-align: left; text-indent: -0.25in;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">Click here to <a href="http://archive.org/details/PapanasamSivanCompositionsCarnaticVocal">listen</a> - </span></span></div>
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<br /></div>
<div class="MsoListParagraphCxSpFirst" style="margin-left: 0.75in; text-align: left; text-indent: -0.25in;">
<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">1.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Neeve sharan shanmukha-kamboji- Papanasam Sivan-
Unnikrishnan</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">2.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Karunanidhiye- bouli- Mishrachapu- Papanasam
Sivan-Bombay Jayashri</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">3.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Karthikeya Gangeye Muruga-Thodi- Papanasam Sivan-Neyveli
SanthanaGopalan</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">4.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Bhuvaneshwari-Begada- Papanasam Sivan- roopaka
taala <span style="mso-spacerun: yes;"> </span>S Gayatri</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">5.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Guruvayuruppa-Chakravaka-Adi taalam- Papanasam
Sivan-Shankara Namboodri</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">6.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Thunaipurindarul karuna madhava-varamu-Papanasam
Sivan-Neyveli SanthanaGopalan</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">7.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Naan oru vilayatu bomaih-navarasakannada- Papanasam
Sivan- Unnikrishnan</b></div>
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<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">8.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Madhava maaya-hamsanandi- Papanasam Sivan-Soumya</b></div>
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<div class="MsoListParagraphCxSpMiddle" style="margin-left: 0.75in; text-align: left; text-indent: -0.25in;">
<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">9.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Kannanai- Shanmukhapriya- Papanasam Sivan-S Gayatri</b></div>
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<div class="MsoListParagraphCxSpLast" style="margin-left: 0.75in; text-align: left; text-indent: -0.25in;">
<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">10.<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Karpagame-Madhyamavati Papanasam Sivan- Neyveli
SanthanaGopalan</b><br />
<br />
<b>11. <a href="http://www.hummaa.com/music/album/papanasam-sivan-krithis/29432">Papanasam Sivan Krutis by T M Krishna </a></b><br />
<br />
<b>12. </b><b><a href="http://www.hummaa.com/music/album/papanasam-sivan-songs-vol-1/21879">Papanasam Sivan Krutis - Volume 1</a> and <a href="http://www.hummaa.com/music/album/papanasam-sivan-songs-vol-2/21861">volume 2 </a></b><br />
<br />
<b><span style="font-size: small;">13. Assorted Collection of <span style="font-size: small;">Papanasam Sivan comp<span style="font-size: small;">ositios <a href="http://mio.to/list_albums/i/10-classical_carnatic_vocal/507-Papanasam_Sivan/2?q=#/list_albums/i/10-classical_carnatic_vocal/507-Papanasam_Sivan/2%21q=">Link<span style="font-size: small;">-</span> 1</a> and <a href="http://www.hummaa.com/music/artist/9891/Papanasam+Sivam/charts">Link- 2</a> </span></span></span></b><br />
<br />
<b><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">14. <a href="http://archive.org/details/NedunuriViswanadhamBhaje">Vishwanatham Bhaje<span style="font-size: large;"> - <span style="font-size: small;">Nedunuri krishnamoorthy</span></span></a></span></span></span></span></b><br />
<br />
<b><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: large;"><span style="font-size: small;"><span style="font-size: small;">15.<a href="http://archive.org/details/R_Vedavalli_SadasivaBhajaname_Thodi_dec93"> Sadashiva Bhajaname- R Vedavalli</a></span> </span></span></span></span></span></span></b><br />
<br />
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<span style="font-size: large;"><b>Videos:</b></span><br />
<br />
<span style="font-size: large;"><b><span style="font-size: small;">1</span>. <span style="font-size: small;">Great Composer Papanasam Sivan- part <a href="https://www.youtube.com/watch?v=4_LmsGEY2-c&list=PLEDEDEA313A1B70AC">1</a> , <a href="https://www.youtube.com/watch?v=4ccNvQ0DTKY">2</a> by Gayatri Venkataraghavan</span></b></span><br />
<br />
<span style="font-size: large;"><b><span style="font-size: small;">2. </span></b></span><span style="font-size: large;"><b><span style="font-size: small;"><span style="font-size: large;"><b><span style="font-size: small;">Documentary on Papanasam Sivan , </span></b></span>Tamil Tyagayyar- Part <a href="https://www.youtube.com/watch?v=5iCs9P8G3zs">1</a> , <a href="https://www.youtube.com/watch?v=ArXiNLluD50">2</a> , <a href="https://www.youtube.com/watch?v=Od4Ji_al1D0">3</a> , <a href="https://www.youtube.com/watch?v=VrSP2nsBWIw">4</a> <span style="font-size: small;">an <a href="https://www.youtube.com/watch?v=Od4Ji_al1D0">5</a></span><a href="https://www.youtube.com/watch?v=Od4Ji_al1D0"> </a></span></b></span><br />
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3. <a href="http://www.youtube.com/watch?v=kCRXxYExFoY">Lecture on Papanasam Sivan</a><br />
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<b><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: large;"><span style="font-size: small;"> </span></span> </span></span></span></span></b><br />
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com1tag:blogger.com,1999:blog-5822572835572328608.post-53567621131895754382013-01-24T11:21:00.004+05:302013-01-24T11:23:05.769+05:30Nadaswaram Recital by Tiruvizha Jayashankar <div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Nadaswaram recital- Tiruvizha Jayashankar<br />
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<b><span style="font-size: small;">click here to<a href="http://archive.org/details/NadaswaramRecitalByTiruvizhaJayashankar-JananiNinuVinaAndVishweswara"> listen</a> </span></b></div>
<ol style="text-align: left;">
<li><b><span style="font-size: small;"> Janani Ninu vina in Reetigoula raaga set to Mishra Chaapu composed by Subbaraya Shastry. </span></b></li>
<li><b><span style="font-size: small;"> Vishwesvara darshan kar- sindhubhairavi -Hindi bhajan of Swathi Thirunal Maharaja.</span></b></li>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-22617872529010952182013-01-24T00:19:00.003+05:302013-01-24T08:58:20.279+05:30 Veena Recital by Maestro Balachander<div dir="ltr" style="text-align: left;" trbidi="on">
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Carnatic Veena Recital by Sri Balachander </div>
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Tracks </div>
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1. <a href="http://archive.org/details/VeenaRecitalByBalachander">Mokshamu Galada Saramathi in Raaga composed by Thyagaraja set to Adi Taala and</a></div>
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<a href="http://archive.org/details/VeenaRecitalByBalachander">Sri Subramanyaya namaste in Kamboji raaga set to Rupaka composed by Dikshitar </a> </div>
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2. <a href="http://archive.org/details/NaaNinnaDhayanadoluByVeenaBalachander">Shyama shastri keertana in Purvi kalyani ragam- ninnu vinaa and Purandara dasa's Naa ninna dyanadoliralu in kaanada raaga</a></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-823923228772461542013-01-23T23:52:00.000+05:302013-01-24T09:00:05.560+05:30Raghavendra Swamy Sankeertana by M L Vasantha Kumari<div dir="ltr" style="text-align: left;" trbidi="on">
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<img border="0" height="400" src="http://www.hindupedia.com/eng/images/d/dd/Sri_Guru_Raghavendra-image.jpg" width="307" /></div>
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<b:if cond="data:post.embedCommentForm"> </b:if><b>Click here to listen Sri Raghavendra Stutis<span style="color: black;"> - <a href="http://archive.org/details/RaghavendraSwamyStutis-carnaticVocalMLVasanthaKumari">Part 1</a> and <a href="http://www.kannadaaudio.com/Songs/Devotional/home/VandisuveGuruRaghavendra-MLV.php">Part2</a></span></b></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-27352059502840374232013-01-16T14:54:00.000+05:302013-01-23T09:44:33.984+05:30Abheri Raaga Alapana <div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/whWI2HVSxpo?feature=player_embedded' frameborder='0'></iframe></div>
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<a href="http://a601505.us.archive.org/18/items/AbheriRagaAlapanaFluteRecitalByArun.s/AbheriRagaAlapanaFluteRecitalByArun.s_vbr.m3u"><span style="font-size: large;"><b><br /></b></span></a></div>
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<span style="font-size: large;"><b> <a href="http://ia601505.us.archive.org/18/items/AbheriRagaAlapanaFluteRecitalByArun.s/AbheriRagaAlapanaFluteRecitalByArun.s_vbr.m3u">Audio<span style="font-size: large;"> recording of Abheri Alapana</span></a></b></span></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-27234387635938373102012-11-30T22:56:00.001+05:302012-11-30T22:57:49.036+05:30Lyrics of Swathi Thirunal Compositions in sanskrit <div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Download Lyrics for Swathi Thirunal Compositions in Sanskrit- <a href="http://archive.org/details/SwathiThirunalCompositions">Link 1 </a>and <a href="http://www.mediafire.com/view/?3gv59swr1d8k2uz">Link 2 </a></b></h3>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-91370754159264083632012-11-22T15:39:00.001+05:302012-11-22T19:58:28.157+05:30Rukminisha Vijaya of Sri Vadiraja <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";">Once Sri Vadiraja was
observing Chaturmaasya in Pune. There, he came to know that a Vidwat Sabha was
organized to select the greatest Mahaakavya and they were about to announce 'Shishupala Vadha' by Magha a great poet as the Mahaakavya. Sri Vaadirajaru sent
words to the organizers that he too has written a Shastra Kaavya Grantha, which
is kept in Udupi, and asked them to include that also for evaluation for Mahaakaavya. The Organisers agreed and gave him 3 weeks time to bring it from
Udupi.</span></div>
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-margin-top-alt: auto; mso-pagination: none; punctuation-wrap: simple; text-align: justify; text-autospace: none;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";">To everybody’s surprise, Sri Vaadiraja
wrote the entire 'Rukminisha Vijaya' Kaavya within a span of 19 days that too
during his spare time and presented for evaluation. When this work was
presented at the conference, the scholars were swept away by it''s poetic
brilliance and had no hesitation in declaring it as the greatest Mahaakavya in
Sanskrit literature. In accordance with their decision, the manuscript was
taken in a procession around the city on a well-decorated elephant, with a lot
of fanfare and glory. </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";">In Rukminisha Vijaya ,
Vadirajaru has given a clear picture of Sri Krishna’s baalya, his childish
behaviour and his plays with Gopikas. </span></div>
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<span style="color: #660000;"><b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";">Download Links for Rukminisha Vijaya Kavya:</span></b></span></div>
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-margin-top-alt: auto; mso-pagination: none; punctuation-wrap: simple; text-align: justify; text-autospace: none;">
<span style="color: #660000;"><b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";"> <span style="color: black;">1 . Lyrics of Kavya in <a href="http://www.aarshavani.org/mainpage/stotras/text/rv/rvcanto1english.pdf">English</a> , <a href="http://www.aarshavani.org/mainpage/stotras/text/rv/rvcanto1kannada.pdf">Kannada</a> and <a href="http://www.aarshavani.org/mainpage/stotras/text/rv/rvcanto1devanagiri.pdf">Sanskrit</a></span></span></b></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-margin-top-alt: auto; mso-pagination: none; punctuation-wrap: simple; text-align: justify; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-margin-top-alt: auto; mso-pagination: none; punctuation-wrap: simple; text-align: justify; text-autospace: none;">
<span style="color: #660000;"><b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 150%; mso-bidi-font-family: Verdana; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"> 2. Audio Recital of Rukminisha Vijaya - <a href="http://www.vyasamadhwa.org/upanyasa/Misc/0307RukminishaVijayaM001.mp3">Part1</a> and <a href="http://www.vyasamadhwa.org/upanyasa/Misc/0308RukminishaVijayaM001.mp3">Part2</a></span></span></b></span></div>
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-43448888794733298622011-10-13T22:34:00.002+05:302011-10-13T22:40:10.508+05:30Walajpet Venkataramana Bhagavatar<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDR_wmp7d_1S4tCMdrWS5Y-N1oV95U36048t1e4ykJIh4LgxKoCOECS1zrFB-o7tgFnwpQI8dCewOHNN0qnjkNaBkKQISK3Ltclmvnht65IfvxXbd0WwcFOMijYNiqEpHau0wA7pJUTiJo/s1600/walajpet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDR_wmp7d_1S4tCMdrWS5Y-N1oV95U36048t1e4ykJIh4LgxKoCOECS1zrFB-o7tgFnwpQI8dCewOHNN0qnjkNaBkKQISK3Ltclmvnht65IfvxXbd0WwcFOMijYNiqEpHau0wA7pJUTiJo/s400/walajpet.jpg" width="396" /></a></div><br />
Sri Venkataramana Bhagavathar was the devoted chief disciple of Sadguru Sri Tyagaraja. He was instrumental in recording the numerous compositions of Tyagaraja in palm leaves for posterity. He served his Guru for 26 years and earned his appreciation and blessings which is evidenced by the kritis of Tyagaraja. One such kriti is 'Nannu palimpa' in Mohana raga which was sung in ecstasy at the time when Venkataramana Bhagavathar presented the portrait of Sri Kodanda Rama on the eve of the marriage of the daughter of Tyagaraja. <br />
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<a href="http://www.venkataramanabhagavadar.org/Songs/IsaiChitram/WMahan.m3u"></a> This Boswell of Tyagaraja was born on 18.2.1781 to Nannusamy of Ayyampettai of Thanjavur District in Tamil Nadu. He was a child born as the Grandson of Kuppaiyer who was father of Nannusamy in answer to his prayer to have a son of great music knowledge. Besides Sourashtram, his mother tongue, he learnt Sanskrit and Telugu and became a scholar. His longing for music drove him to the house of Tyagaraja in Thiruvayyaru. Initially he used to listen the music standing outside the house of Tyagaraja. Later this was noticed by Tyagaraja at the instance of his wife and asked Venkataramana whether he would like to learn the music from him. Venkataramana was very happy to join the band of Tyagaraja's disciples and started taking keen care of his Guru by rendering all the services needed for day to day life for a number of years until he settled in Walajapet for his livelihood.<br />
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Initially Venkataramana was a bit slow in grasping the lessons taught by his Guru. Noticing this Tyagaraja prayed Sri Rama and composed "Gnanamosagaradha" in Shadvidhamargini raga to bestow the knowledge of music to Venkataramana. From next day onwards Venkataramana became an expert in music and was able to record all kritis in palm leaves. He also recorded the brief biography of Tyagaraja. In later years he also composed songs in Telugu emulating his guru with his own mudra 'Ramachandrapura vara Venkataramana'. His handwriting was very beautiful like printing which is evidenced by the bound paper volume Pothana Telugu Bhagavatham which is still preserved by Madurai Sourashtra Sabha along with all the palm leaves and paper manuscripts written by Venkataramana and his son Krishnasamy Bhagavathar. Venkatarama's devotion to Tyagaraja continued even after his settlement at Walajapet. When Tyagaraja visited Walajapet, Venkataramana requested his Guru to stay with him for 12 days doing Bhajans. When he was taken through the procession on the last day, Venkataramana's disciple Mysore Sadasiva Rao composed the song ''Tyagarajaswami vedalina'' in todi raga and recorded this event.<br />
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Venkataramana attained mukthi on 15-12-1874. His descendants handed over the relics of Tyagaraja like Paduka, Tambura, etc. to Madurai Sourashtra Sabha where they are preserved. His Jayanti day celebrations are held at Ayyampettai every year where a number of his disciples and carnatic music lovers pay their homage. <br />
<div class="thanks">Source : website dedicated to <a href="http://www.venkataramanabhagavadar.org/Index.html">Walajpet Venkataramana Bhagavatar </a></div><br />
<div class="thanks"><span style="font-size: large;"><b>Lyrics and Audio of Sri Walajpet Venkataramana Bhagavatar :</b></span></div><div class="thanks"><br />
</div><div class="thanks"><br />
</div><div class="thanks"><span style="font-size: large;"><a href="http://www.karnatik.com/co1128.shtml">Lyrics of Walajpet Venkataramana Bhagavatar compositions</a></span></div><div class="thanks"><span style="font-size: large;"><b></b></span></div><div class="thanks"><span style="font-size: large;"><b> </b></span></div><div class="thanks"><span style="font-size: large;"><b><a href="http://www.venkataramanabhagavadar.org/Songs.html">Walajpet Venkataramana Bhagavatar Compositions Audio</a></b></span></div><div class="thanks"><span style="font-size: large;"><br />
</span></div><div class="thanks"><span style="font-size: small;"><b><a href="http://www.venkataramanabhagavadar.org/Resources.html"><span style="font-size: large;">Articles and web resources about Sri Venkataramana Bhagavatar</span> </a></b></span></div><div class="thanks"><br />
</div><div class="comment-footer"></div></div>Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-54888308962598739022011-10-11T17:27:00.004+05:302011-10-11T21:28:00.633+05:30Rallapalli Ananta Krishna Sharma<div dir="ltr" style="text-align: left;" trbidi="on"><div class="comment-footer"><a expr:href="data:post.addCommentUrl" expr:onclick="data:post.addCommentOnclick" href="http://www.blogger.com/post-edit.g?blogID=5822572835572328608&postID=5488830896259873902&from=pencil"> </a> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZrxsZlfHfotHyXR_dL_iJy9yVAiPdMyUtP2LOrQkGOciHcMJztzu1Lj3cnndvg07KJosV0GgGJCBWW4-RanFYenkHfwpYLOY1iVcKAoQEqtV8U3H4wMdjlSb4qXU_we8KiwMfQ4nkgMRG/s1600/Rallapalli.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZrxsZlfHfotHyXR_dL_iJy9yVAiPdMyUtP2LOrQkGOciHcMJztzu1Lj3cnndvg07KJosV0GgGJCBWW4-RanFYenkHfwpYLOY1iVcKAoQEqtV8U3H4wMdjlSb4qXU_we8KiwMfQ4nkgMRG/s320/Rallapalli.JPG" width="266" /></a></div><br />
Sangita Kalanidhi <b>Rallapalli Anantha Krishna Sharma</b> (Telugu: <span lang="te">రాళ్ళపల్లి అనంతకృష్ణశర్మ</span>) (23 January 1893 - 11 March 1979) was a noted composer of Carnatic music , vocalist and writer.<br />
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<h2><span class="mw-headline" id="app100573140000096_Life">Life</span> </h2>Born on 23 January 1893 at Rallapalli village in <a href="http://en.wikipedia.org/wiki/Kambadur" rel="nofollow" target="_blank" title="Kambadur">Kambadur</a> mandal of <a href="http://en.wikipedia.org/wiki/Anantapur_district" rel="nofollow" target="_blank" title="Anantapur district">Anantapur district</a>, Ananta Krishna Sharma was educated in Sanskrit, Telugu and Music by his parents, Karnamadakala Krishnamacharyulu and Alamelu Mangamma.<br />
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After moving to Mysore, he sought instruction from the chief pontiff of the famous <a href="http://en.wikipedia.org/wiki/Parakala_Mutt" rel="nofollow" target="_blank" title="Parakala Mutt">Parakala Mutt</a>. Sharma studied Sanskrit and Prakrit languages at the Chamaraja Pathasala; and music with Chikka Rama Rao, Bidaram Krishnappa and Karigiri Rao. Later, in 1911, he married Rukminamma.<br />
Sharma was appointed a Telugu Pundit (a scholar) by Sir <a href="http://en.wikipedia.org/wiki/Cattamanchi_Ramalinga_Reddy" rel="nofollow" target="_blank" title="Cattamanchi Ramalinga Reddy">Cattamanchi Ramalinga Reddy</a>, Principal of the <a href="http://en.wikipedia.org/wiki/Maharaja_College_of_Mysore" rel="nofollow" target="_blank" title="Maharaja College of Mysore">Maharaja College of Mysore</a> in 1912 and worked until 1949. After which he joined the Sri Venkateshwara Oriental Research Centre, Tirupathi. The then executive officer of <a href="http://en.wikipedia.org/wiki/Tirumala_Tirupati_Devasthanams" rel="nofollow" target="_blank" title="Tirumala Tirupati Devasthanams">Tirumala Tirupati Devasthanams</a>, <a class="new" href="http://en.wikipedia.org/w/index.php?title=Chelikani_Anna_Rao&action=edit&redlink=1" rel="nofollow" target="_blank" title="Chelikani Anna Rao (page does not exist)">Chelikani Anna Rao</a> entrusted Sharma with elucidating the compositions of the great songwriter-singer-saint <a class="mw-redirect" href="http://en.wikipedia.org/wiki/Tallapaka_Annamacharya" rel="nofollow" target="_blank" title="Tallapaka Annamacharya">Tallapaka Annamacharya</a>. These compositions (or kritis) were stored for centuries in the Tirumala temple Bhandagaram (storehouse) on copper plates. Sharma received the project after the death of his predecessor, <a class="new" href="http://en.wikipedia.org/w/index.php?title=Veturi_Prabhakara_Sastry&action=edit&redlink=1" rel="nofollow" target="_blank" title="Veturi Prabhakara Sastry (page does not exist)">Veturi Prabhakara Sastry</a> . He singularly worked on tuning the songs and helped publish seventh and eighth volumes of Annamacharya’s compositions. Sharma went on to edit nearly 300 compositions and brought out five more volumes of compositions between 1951 and 1956. He also wrote the notation for 108 compositions and 87 of them were published in the <a class="new" href="http://en.wikipedia.org/w/index.php?title=Andhra_Patrika&action=edit&redlink=1" rel="nofollow" target="_blank" title="Andhra Patrika (page does not exist)">Andhra Patrika</a>.<br />
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Sharma died on 11 March 1979 in <a href="http://en.wikipedia.org/wiki/Bangalore" rel="nofollow" target="_blank" title="Bangalore">Bangalore</a> and was survived by three daughters and two sons. On 23 August 2008, his life-size bronze statue was installed in <a href="http://en.wikipedia.org/wiki/Tirupathi" rel="nofollow" target="_blank" title="Tirupathi">Tirupathi</a>.<br />
<h2><span class="mw-headline" id="app100573140000096_Major_works">Major works</span> </h2><ul><li> <i>Anantha Bharathi</i> (collection of Sanskrit works)</li>
<li> <i>Meerabai</i> (1913) (Telugu Khanda Kavya)</li>
<li> <i>Taradevi</i> (1911) (Telugu Khanda Kavya)</li>
<li> <i>Vemana Natakopanyasamulu</i> (1928–29)</li>
<li> <i>Shalivahana Gathasaptashathi Saramu</i> (1932) (translation work from the Prakrit into Telugu)</li>
<li> <i>Saraswatalokamu</i> (1954)</li>
<li> <i>Chayapa Senaniya, Nrita Ratnavali</i> (1969) (Translation into Telugu)</li>
<li> <i>Arya</i> (1970) (Translation of Sanskrit work of Sundara Pandya into Telugu) </li>
</ul><span style="font-size: large;"><b>Compositions and Audio: </b></span><br />
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<span style="font-size: large;"><b>The official site of <a href="http://www.blogger.com/goog_1250425841">Sri Rallapalli Anantakrishna Sharma </a><a href="http://www.blogger.com/goog_1250425841"><br />
</a></b></span><br />
<a href="http://sites.google.com/site/rallapallisharma/Home"><br />
</a><br />
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<div class="comment-footer"></div></div>Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-79248940655219836322011-10-11T13:19:00.003+05:302014-07-21T08:39:12.161+05:30Tanpura and talometer Softwares<div dir="ltr" style="text-align: left;" trbidi="on">
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-81456374513535740212011-10-07T21:24:00.012+05:302012-04-13T15:12:29.564+05:30Sri Dum Durge Shiva Samsarge<div dir="ltr" style="text-align: left;" trbidi="on"><div class="comment-footer"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Sp3nhDB733szB97xnyWXzDpTmXA71BsAAM-PQVLrGH1lLhgI9ZHYnC5TCKkDcKEguBV5yS_kViJyoPdM7noHjDu_U1FUiigZz3Fb8q3D9NXoDEMguugxghhwjDL4pd1Yqua2TxYBUGwt/s1600/Durga.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Sp3nhDB733szB97xnyWXzDpTmXA71BsAAM-PQVLrGH1lLhgI9ZHYnC5TCKkDcKEguBV5yS_kViJyoPdM7noHjDu_U1FUiigZz3Fb8q3D9NXoDEMguugxghhwjDL4pd1Yqua2TxYBUGwt/s400/Durga.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Durga Devi</td></tr>
</tbody></table><b:if cond="data:post.embedCommentForm"> <span style="font-size: large;"><b><b:include data="post" name="comment-form"> <b:else> <b:if cond="data:post.allowComments"> <data:postcommentmsg> </data:postcommentmsg></b:if></b:else></b:include></b></span></b:if><br />
<div style="text-align: justify;"><b:if cond="data:post.embedCommentForm"><span style="font-size: large;"><b><b:include data="post" name="comment-form"><b:else><b:if cond="data:post.allowComments"><data:postcommentmsg></data:postcommentmsg></b:if></b:else></b:include></b></span></b:if>Sri Dum Durge is Muttuswami Dikshitar's sanskrit composition in Sri Ranjani Raaga set to Khanda Jaati Eka Talam.<br />
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</div><div style="text-align: justify;"><b style="font-size: x-large;">Audio:</b></div></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Click here to download ' <a href="http://www.archive.org/details/SriRanjani">Sri Ranjani alapana and Sri Dum Durge</a> ' - Flute recital by Arun</div><div class="comment-footer"><b:if cond="data:post.embedCommentForm"><b:include data="post" name="comment-form"><b:else><b:if cond="data:post.allowComments"><data:postcommentmsg> </data:postcommentmsg> </b:if></b:else></b:include></b:if><b:if cond="data:post.embedCommentForm"><b:include data="post" name="comment-form"><b:else> </b:else></b:include></b:if> </div></div>Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-57397728622920612842011-10-01T21:39:00.008+05:302012-04-13T15:10:39.240+05:30Raga Alapana Flute recital by Arun<div dir="ltr" style="text-align: left;" trbidi="on">1. Lalita Raga:<br />
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Click here to download ' <a href="http://ia700701.us.archive.org/25/items/Lalita/LalitaRagaAlapanaCarnaticFluteRecitalByArun.mp3">Lalita Raga Alapana-Flute recital by Arun</a> '<br />
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</div>Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-42855571679187566422011-09-24T13:33:00.000+05:302011-12-16T10:15:14.472+05:30Natya Shastra with Commentary of Abhinava Gupta by M Ramakrishna Kavi<div dir="ltr" style="text-align: left;" trbidi="on"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="color: #cc0000; text-align: center;"><div style="color: purple;"><a href="http://www.archive.org/details/NatyaShastraWithCommentaryOfAbhinavaGuptaByMRamakrishnaKavi"><span style="font-size: small;">Natya Shastra with Commentary of Abhinava Gupta by Rama Krishna Kavi</span></a></div><div style="text-align: left;"><span style="font-size: small;"><br />
</span></div><div style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"><span style="color: black;">About the Author Sri Manavalli Ramakrishna Kavi gaaru:</span></span><b> </b></span><br />
<span style="font-size: large;"><b>Sri </b></span><span style="font-size: large;"><b>Manavalli </b></span><span style="font-size: large;"><b>Ramakrishna Kavi (1866-1957)</b></span> </div><div align="center" style="color: black;"><div align="left"><span style="font-size: small;"><br />
Ramakrishna <i>Kavi</i> Manavalli, popularly known as <i>kavigaaru</i>, was a manuscriptolologist at <i>prachyalikhita pustaka bhandagaram</i> (library of ancient scripts) in Chennapuri (Chennai or Madras) and a doyen of indological research. <br />
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Manavalli family is a Brahmin pundit (scholar) family and </span> <span style="font-size: small;"><i>kavi</i>'s ancestors were writers and poets. His ancestors like Thyagayya, Gangadharasastri and Narasimhasastri were all reputed litterateurs. Thyagayya wrote <i>kaasiyaatracharitra</i>. Gangadharasastri and Narasimhasastri were Sanskrit pundits. Gangadharasastri received several awards and titles from the British government during Queen Victoria's regime. <br />
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<i>Kavigaaru</i></span> <span style="font-size: small;"> was a polyglot. The title <i>Kavigaaru</i> was given to him not because he was poet, but because he was a great scholar in six languages: <i>Samskritamu</i> (Sanskrit), <i>Andhramu </i>(Telugu), <i>Aravamu</i> (Tamil), <i>Kannadamu</i>, <i>Malayalamu</i> and English. He was known to be one of the top six Sanskrit pundits during his time. For the government of Baroda, he prepared Bharatakosa and brought out a critical edition of Bharata`s Natya Sastra with Abhivanana Gupta`s commentary “<i>abhinava bhaarati</i>” for the first time.<br />
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<i>Kavigaaru</i></span> <span style="font-size: small;"> used to collect palm-leaf texts from villages and towns for the library. He used to review them and analyze them for publication. He introduced to Telugu people several ancient texts, in association with Prabhakarasastri Veturi. <i>Kavigaaru</i> published ancient texts in a book series under the title "<i>vismrita kavulu</i>." One of his original works is vatsaraja charitamu. <br />
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In 1926, he was transferred to Rajamahendravaramu as an assistant teacher at Government Higher Grade Elementary Training School. Later, in 1938, joined </span> <span style="font-size: small;"><i>tirupati praachya parisoadhana samstha</i> and worked there until 1955. Later, <i>tirumala tirupati devasthaanam</i> provided him support until 1957.</span></div><div align="left"></div><div align="left"><span style="font-size: small;">Source:</span></div><div style="text-align: left;"><a href="http://www.vedah.net/manasanskriti/manavalli.html">http://www.vedah.net/manasanskriti/manavalli.html</a></div><div align="left"><span style="font-size: small;"><br />
</span> </div><div align="left"><span style="font-size: small;">Click here to read more about<a href="http://sriramv.wordpress.com/2010/12/28/the-life-and-works-of-manavalli-ramakrishna-kavi/"> Sri Ramakrishna Kavi </a></span> </div></div><span style="color: black; font-size: small;"> </span><span style="color: black;"> </span><br />
<div style="text-align: left;"><span style="font-size: small;"><span style="color: black; font-size: small;"> </span> </span></div></td><td class="tr-caption" style="color: #cc0000; text-align: center;"><a href="http://www.blogger.com/goog_1406554076"><span style="font-size: small;"><br />
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</tbody></table><div class="comment-footer"><b:if cond="data:post.embedCommentForm"> <b:include data="post" name="comment-form"> <b:else> <b:if cond="data:post.allowComments"> <a expr:href="data:post.addCommentUrl" expr:onclick="data:post.addCommentOnclick" href="http://www.blogger.com/post-edit.g?blogID=5822572835572328608&postID=4285557167918756642&from=pencil"> <data:postcommentmsg></data:postcommentmsg></a> </b:if> </b:else></b:include></b:if> </div></div>Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-75142632452725707892011-09-23T22:03:00.009+05:302015-04-17T23:34:16.103+05:30Kanakadasa<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Sri Kanakadasa</td></tr>
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Kanaka Dasa (1509–1609) was a great poet, philosopher, musician and composer from Karnataka. He is knownfor his Kirtanas and Ugabhoga compositions in the Kannada language for Carnatic music. Like some other dasas, he often used colloquial language for his compositions.</div>
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<span style="font-size: large;"><b>Life of Sri Kanakadasa: </b></span></div>
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Thimmappa Nayaka was Kanakadasa’s original name and he belonged to chieftain (Kuruba Gowda ) / (Dhangar ) family of Kaginele in Haveri district. He was born to the Kuruba Gowda couple Biregowda and Beechamma at Bada village. Kanaka Nayaka being of the warrior community (Kuruba Gowda) his defeat in the field of battle, directed him to the path of devotion. He came to be called Kanaka Nayaka as he found a treasure-trove of gold (kanaka means gold in Kannada). Kanaka Dasa was well educated and capable of analyzing the society microscopically. Based on one of his compositions it is interpreted that after he severely got injured in a war and was miraculously saved, he gave up his profession as a warrior and devoted his life to composing music and literature with philosophy explained in common man's language. It appears that he started traveling to places a lot to gain more knowledge. However he had maintained a balanced view about all faiths. At a young age he authored poetries Narasimha stotra, Ramadhyana Mantra, and Mohanatarangini. </div>
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<span style="font-size: large;"><b>Writings</b></span></div>
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His writing started showing his innovativeness in using day to day activities of common man. For example, Ramadhyana Mantra is a poetic expression of conflicts between rich and poor classes where he uses ragi (staple food of poor and high in nutrients) and rice (main food of rich but not as rich in nutrients) to synonymously to represent poor and rich. He joined Haridasa movement and became a follower of Vyasaraja who named him as Kanakadasa. His poems and krithi deal with many aspects of life and expose the futility of external rituals. They stress the need for cultivation of moral values in life. Similar to Purandara Daasa, Kanaka Daasaru’s compositions addressed social issues in addition to devotional aspect. Kanaka Daasa was very aggressive and straight forward in criticizing evils of society such as superiority claims using caste system. His poem "Kula Kula Kula vendu hodedhada dhiri" asks humans not to segregate themselves from one another, because every human is born the same way, everyone eats the same food and drinks the same water, hence none is superior or inferior to one another.</div>
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The deity he worshiped was Adhikeshava of Kaginele, presently in Haveri district of Karnataka. Kaginele, now a village, was a prosperous place and trading center in the Middle Ages. Out of the many of his compositions, about 251 are fully accountable today. All his Karnataka Music compositions end with mudra (signature) <b>Kaginele Adhikeshava</b>. In addition to being a poet , he worked as a social reformer by down playing dogmatic communities that were suppressing the disadvantaged communities. Kanakadasa made extreme effort in reforming the disadvantaged communities by convincing them to give-up their age old obsolete social practices and adapt to the changing world. He effectively used music to convey his philosophy. He lived at Tirupathi in his last days. He is one of the greatest musician, composer, poet, social reformer, philosopher and saints that India has ever seen.'</div>
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<span style="font-size: large;"><b> Major works of Sri Kanakadasa</b></span></div>
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Nalacharitre</div>
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Haribhaktisara</div>
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Nrisimhastava</div>
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Ramadhanyacharitre, a rare work on class struggle</div>
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Mohanatarangini</div>
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Kanakadasa wrote about two hundred forty Karnataka Music compositions (Kirtane, Ugabhogas, padas and mundiges or philosophical songs) besides five major works. His compositions are published in many languages. For example about 100 songs in Kannada and 60 songs in English are published in popular books.</div>
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His writings were unique in style. In Ramadhanyacharitre, an allegory on the conflict between the socially strong and weak castes and classes, presented as an argument between two foodgrains, rice and ragi, is a most creative literary piece with a powerful social message,In the work, rice represents the socially powerful and ragi (millet) represents the working people. The two grains come before Rama to argue their case and establish their superiority. In the end Rama sends both of them to prison for six months. At the end of the period, rice has turned rotten while the hardy ragi survives, earning Rama's blessings. This shows the intelligence of Kanaka Daasa in trying to reform the society. He was blunt in criticizing those who opposed the good practices. In one his compositions he says,"Eternal hell is for those who criticize noble men, for those who condemn teachings of Jagadguru Madhvacharya...".</div>
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Nalacharitre (Story of Nala)</div>
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Haribhaktisara (crux of Krishna devotion)</div>
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Nrisimhastava (compositions in praise of Lord Narasimha)</div>
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Ramadhanyacharite (story of ragi millet) and an epic</div>
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Mohanatarangini (Krishna-river).</div>
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Kanakadasa rationalized bhakti (devotion) by giving worldly similes. His writing has intimate touch that identifies the reader with the poet himself. His two famous compositions in translation are given below. One condemns caste system in a refined poetic way and the other wonders, at the colorful and baffling creation of God Almighty in child-like wonder.</div>
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His Nalacharite is based on the famous love-story of Nala and Damayanti, which appears in Mahabarata. Though a great devotee of Lord Krishna, Kanakadasa gives his own interpretation. Nala who is in love with Damayanti, exercises restraint svayamvara (choosing bride/bridegroom) ceremony to win over Damayanti by allowing Indra and other gods a chance to win over her. When he loses everything in a dice-game and gets exiled to the forest, stubbornly followed by Damayanti, he deserts her in sleep, hoping that she may go back to her parents and have a better life. He later drives king Rituparna to the second svayamvara of Damayanti, to see his wife married to a suitable person and be happy! Lord Krishna appears only once casually to rescue the caravan in which the hapless Damayanti was traveling and was attacked by wild elephants.</div>
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Nrisimhastava is a work dealing with glory of god Narasimha (half human and half lion).</div>
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Kanakadasa's Ramadhanyacharite has quite an unconventional theme. It is about a battle of words between ragi (millet) and rice, each claiming superiority. They go to lord Rama for justice. With the help of the sages, Rama proves the superiority of ragi over rice. Ragi becomes blessed by absorbing the qualities of Raghava, another epithet of Rama. It is interpreted as poverty and humility being upheld by the poet above material wealth. Even today ragi is food of the poor which has high nutrition value compared to rice. Ragi is a good source of nutrition for people with diabetes for its low sugar content and nutrition value.</div>
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Mohanatarangini, although a kavya (poem in classical style) written with all conventional eighteen descriptions, deals with eroticism. Pleasure-based eroticism of Shri Krishna with the consorts. The eroticism between Aniruddha and Usha form the main theme.</div>
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It excels in depicting contemporary life. The description of Shri Krishna's Dwaravati (Dwaraka) is very similar to that of Vijayanagara, under Krishnadevaraya as noticed by foreign travelers. The market place with colorful stalls with various commodities, well demarketed lanes brimming with craftsmen, clients and merchants, royal garden parties and glory of the palace find their place in Mohanatarangini. It echoes the contemporary Portuguese travelers' accounts. A drinking bout of men and women of working class is very picturesque. The reader feels as if Kanakadasa is providing a commentary of a live event. It is for such unconventional and down-to-earth descriptions as also for social awareness that the great poet-saint has become immortal.</div>
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Nee Mayeyolago</div>
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The following is the translation of Nee Mayeyolago:</div>
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Are you a creature of illusion? or illusion your creation?</div>
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Are you a part of the body? Or is the body a part of you?</div>
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Is space within the house? Or the house within space? Or are both space and the house within the seeing eye? Is the eye within the mind? Or the mind within the eye? Or are both the eye and the mind within you?</div>
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Does sweetness lie in sugar, or sugar in sweetness? Or do both sweetness and sugar lie in the tongue?</div>
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Is the tongue within the mind? Or the mind within the tongue? Or are both the tongue and the mind within you?</div>
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Does fragrance lie in the flower? Or the flower in fragrance? Or do both the flower and fragrance lie in the nostrils? I cannot say, O Lord Adikeshava of Kaginele, O! peerless one, are all things within you alone?</div>
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<span style="font-size: large;"><b>Kanakadasa's famous phrase</b></span></div>
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“ ನಾನು ಹೋದರೆ ಹೋದೇನು " which means " I shall go (to heaven) if my-self (my selfishness) goes (away) “</div>
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This was a famous phrase Kanakadaasa is quoted to have said in front of all vedantis, when asked who will attain Moksha . This question was asked by Vyasatirtha in a sabha, to actually bring light into Kanakadasara bhakti. Kanakadasa humbly but assertively tells that no one here will attain moksha. Only he can attain Moksha, on hearing this the pandits present there were taken aback and were very angry. Then Vyasatirtha asks Kanaka to explain what it means , then he goes ahead and explains the meaning , which actually meant who has lost the Naanu ( ‘Self ’) i.e.; ego will attain Moksha .</div>
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<span style="font-size: large;"><b> Kanakadasa in Udupi</b></span></div>
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Kanakadasa has special association with Udupi and as he was the follower of Sri Vyasaraja Swamiji. On the advice of Vyasaraja Swamiji he had come to Udupi. He stood outside the matha and was lost in his prayers to Lord Krishna by singing songs in praise of the Lord and had darshan of the lord through a small window. All devotees who visit Udupi Krishna Matha take a peek at Lord Krishna through the small window, wishing to relive the ecstasy of Kanakadasa. It is also a memorial to Kanakadasa and a testimony to the eclectic Hindu belief that devotion, poetry and sainthood are above caste and creed and certainty above orthodoxy. Kanakadasa once wanted to have a darshan (encounter) of the Lord Krishna in Udupi. He was not allowed into the shrine by castist priests as he was not a higher-caste by birth. Kanakadasa then started singing the praises of Shri Krishna and was lost to outside world in a corner outside the temple. Legend has it that the western wall collapsed so that Kanakadasa could have darshan of Lord Krishna's icon. A small window was constructed at the breach later. The idol of Lord Krishna is still today worshiped through the window. This window came to be known as Kanakana kindi (Kanaka’s window). Historical evidence shows that there was indeed a small earthquake on that day which led to the collapse of the wall. (Note that the statue of Lord Krishna was facing to east before this incident later turned to west to give darshan for kanaka dasa). The memory of Kanakadasa was permanently etched in the temple of his beloved Lord Krishna. Today that window stands as a tribute to the unique saint of Karnataka.</div>
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From that time onward, Kanakadasa could have the darshan of Sri Krishna with his physical eyes as well as his inner eye. To perpetuate this sacred memory, the tradition of looking at the icon of Sri Krishna through this window before entering the shrine started.</div>
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<span style="color: black;"><b><span style="font-size: large;">Kanakadasa offers rice gruel to Lord Krishna</span></b></span><br />
<span style="color: #000084;"><span style="color: black;">There is another incident connected with him which is not known to many people. But for Sri Vadiraja Teertha, it would have been forgotten a long time ago. That interesting episode can be stated thus: It was noon and Kanakadasa had baked rice cake for his lunch. Suddenly, his attention was drawn towards a small hole on the Northern side of the discourse hall. From the kitchen inside, some rice gruel (teLi) was flowing out through the hole. Kanakadasa took the shell of a coconut and filled it with some gruel. He then took the cake and the gruel to the front of the temple and prayed for Krishna to accept the offerings, and then ate it.</span><br style="color: black;" /><br style="color: black;" /><span style="color: black;">Sri Vadiraja teertha came to know of this due to his divine vision, summoned his attendants and said, " Kanaka is a great devotee. Krishna is more pleased with his gruel water than with our costly dishes. He may be a shepherd by caste, but he does not lag behind in his devotion and enlightenment. He is like pure gold (`kanaka' means 'gold '). From this day onwards we will also offer rice gruel and cake to Sri Krishna to perpetuate the memory of Kanaka's great devotion.'"</span><br style="color: black;" /><br style="color: black;" /><span style="color: black;">This tradition continues even today. Rice gruel and cake are offered, along with other dishes, except that the coconut shell has been replaced by a silver goblet. Sri Vadiraja teertha has thus immortalized this episode in the history of Udupi.</span></span><br />
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Source wikipedia<br />
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Interesting Weblink :<br />
<a href="http://www.kagineledevelopmentauthority.com/Gallery_en.html">Kaginele and Kanakadasa's Picture Gallery</a><br />
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<span style="font-size: large;"><b>E-Book : Lyrics of Kanakadasa compositions in kannada</b></span><br />
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Click here to download <a href="http://www.scribd.com/doc/66069601/Kanakadasa-Sahitya-Sudha-Part1">Kanaka dasa Sahitya sudha part 1</a><br />
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Kanakadasa Samagra Keertana sahitya <a href="http://www.kanakanakindi.org/SamagraDasaSahityaSam5Bhaga1.pdf">part 1 </a>and <a href="http://www.kanakanakindi.org/SamagraDasaSahityaSam5Bhaga2.pdf">part 2</a><br />
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<a href="http://www.kanakanakindi.org/HariBhakthiSharaKannadaSahityaParisattu2003.pdf">Haribhaktha saara</a> <br />
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<a href="http://www.kanakanakindi.org/KanakadasaraNalacharitre.pdf">Nala Charitre</a><br />
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<a href="http://www.kanakanakindi.org/RamadhanyaCharitre.pdf">Rama dhanya Charitre</a><br />
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<a href="http://www.scribd.com/doc/66183601/Uga-Bhogas-of-Kanakadasa">Uga Bhogas of Sri Kanakadasa </a><br />
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<a href="http://ia700201.us.archive.org/0/items/KanakaDasaruAvaraSahityaSameeksha/KanakaDasaruAvaraSahityaSameeksha.djvu">Sri Kanakadasa Sahitya Samikshe</a> in Kannada by Appanacharya <br />
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<a href="http://www.dvaita.org/haridasa/song/dasaindex/kanaka.html">Selected Kirtanas of Sri Kanakadasa </a>with sanskrit , tamil and telugu transliteration <br />
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Arunhttp://www.blogger.com/profile/16974806408032124259noreply@blogger.com0tag:blogger.com,1999:blog-5822572835572328608.post-75662184336592145752011-09-21T23:09:00.001+05:302011-09-21T23:20:14.700+05:30'Bhajana Koustubha' -Collection of Kannada Krutis by Haridasa and Madhva Saint composers<div dir="ltr" style="text-align: left;" trbidi="on"><div dir="ltr" style="text-align: left;" trbidi="on"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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